How I had missed this fight inside my head of what is slow and what isn't. Jenni Olson's deeply personal, moving and engaging film The Royal Road (2014) started those evil voices in my head again. I think I've been saying for a few years now that Slow Cinema is not a fixed but rather a fluid category of films. And yet, I start to find myself figuring out what I consider Slow Cinema and slow film. The former to me is . . .

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