history

Là-bas (Chantal Akerman, 2006)

Là-bas. Down there. Down there has many meanings in this film of Chantal Akerman, her first, last and only film set in Israel. Down there – geographically, perhaps. Down there, là-bas – down memory lane….


Horse Money – Pedro Costa (2014)

It’s kind of sad that you have to wait almost two years for a brilliant film to cross your way. I missed Pedro Costa’s new film in Locarno, because I saw Lav Diaz’s From What Is…


Havarie – Philip Scheffner (2016)

What does the word “havarie” actually stand for? Originally, it is linked to ships, speaking of accidents, emergencies, and shipwrecks. But we can draw the circle a bit wider and think for a moment about…


Hele sa hiwagang hapis – Lav Diaz (2016)

Well, he did it again, and Lav Diaz’s Berlinale entry Hele sa hiwagang hapis is, at the same time, his longest film since his nine-hour film Death in the Land of Encantos (2007). I’m grateful…



Plenty questions for…Lav Diaz

Guernica magazine has published my interview with Lav Diaz today, which I conducted in November 2015 during the retrospective of his work at Jeu de Paume (and later the the Cinematek in Brussels). Here’s an…


D’Est – Chantal Akerman (1993)

Chantal Akerman’s D’est is a great example of Slow Cinema, and for those who do not feel prepared to start with eight hours Lav Diaz, then this may be a film for you. The film…


10 questions for… Jenni Olson

A couple weeks ago, I wrote a few thoughts on Jenni Olson’s The Royal Road, which is a wonderful piece. I hope you can see it on a big screen some day. Jenni has kindly agreed…


The Royal Road – Jenni Olson (2014)

How I had missed this fight inside my head of what is slow and what isn’t. Jenni Olson’s deeply personal, moving and engaging film The Royal Road (2014) started those evil voices in my head again….