In the previous blog entry, I mentioned my research direction with regards to a paper I will present in December. In my thesis, I will focus not only on the links between Slow Cinema and painting. I will also look at literature, for instance. But I don't want to jump ahead at the moment.
So I leave you with: Why painting? It seems more straightforward to analyse the influence of photography on Slow Cinema. The issue with this is that it would be a) a short-cut, and b) inadequate.
It would be wrong to . . .
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