It’s been several years that I dream of publishing my own journal. I was still a student when I began to think about pursuing this because I was frustrated at being rejected because my subject matter didn’t seem to fit anywhere. Things have changed lot, though, since the idea first popped into my head, although I can say for sure that it has never disappeared. Over the years, my blog has become the most visited site in the area of Slow Cinema. I have readers from all corners of the world (except for Greenland, which I find very sad), and I have gotten to know a lot of wonderful people because of my writing. I have gotten to know filmmakers, cinephiles, but I also came across new films thanks to my readers. In the last five years, I have been able to build a network of people whose interest and thirst for Slow Cinema I’m happy to cater for, and who, at the same time, taught me a lot; about cinema, about writing, about confidence, about myself.
It is thanks to Daniel Fawcett and Clara Pais that I’m returning to my idea of publishing a journal. When I held their FilmPanic magazine in my hands, I could no longer shake off this thought. I could no longer ignore it for another couple of years. My guts told me that now was the time. Why is that? Because I feel that this would be the right step forwards; expanding on the blog; inviting other contributors, whom I always rejected because the blog was supposed to be my personal platform on which I developed my own ideas; creating a new challenge for myself; challenging academia and its published content on Slow Cinema.
The Art(s) of Slow Cinema has already given birth to tao films, my video-on-demand platform for contemplative world cinema. The platform went live on 1 January 2017, and after a few adjustments (learning by doing!), we’re now offering a growing catalogue of fiction films, documentaries and experimental cinema. Every month, more films are added and you can either buy the films individually, or you can get yourself a 30-day subscription, which will not be renewed automatically. We’re fair and don’t want to cash in on people’s forgetfulness on having subs with several platforms. So, in case you haven’t yet been aware of this project, you should definitely check it out, because we show films that are difficult to get hold of, or are, in most cases, available exclusively on tao.
The Art(s) of Slow Cinema journal, whose publication in the near future I’m herewith announcing (you should imagine me dance while writing this!), is another step forward, another attempt at expanding on the work I have already done, and at creating alternative content in the context of Slow Cinema. I will take it slow, of course, and start small. There won’t be a fancy design, there won’t be glossy paper, or a team of editors trying to think of what’s best to publish. What this journal will be instead is a space for those interested in the field to publish their ideas and thoughts. The journal will develop as freely as it can, without word limits etc which always inhibit a real development of great ideas. Just as I listen to the filmmakers, who release their films through tao films, I’ll listen to the writers of The Art(s) of Slow Cinema journal and accompany them as best as I can. So what can you expect if not the glossy stuff or a perfectly designed, expensive magazine?
You’ll be able to read exclusive content that you wouldn’t find here on this blog. There will be interviews with filmmakers. There will be filmmaker notes, essays by filmmakers, diaries about their shootings. There will be essays by cinephiles, who have a special interest in Slow Cinema and who love to explore certain themes in more detail in their writing. There will be creative responses to films. There will be a whole lot that you will never find either here or in academic writing. It’ll be a sort of fan journal, if you want to call it this way, albeit this might sound too cheesy and boring.
The first authors have been selected, and they’re working on their respective pieces until the beginning of July. I’m really looking forward to this and feel super excited to take this step this year, as, yes, the first edition will be published this year. Magazines will be available via pre-order only in order to create a sustainable project that does not become a financial burden. I don’t want to prep 1,000 copies if only 100 people want to read it. I don’t have a fireplace where I can burn the rest to heat the house 😀 Nowadays, we need to be reasonable and while I would love to go full-blow on this, I want to do this right, that means careful, thought-through, with the aim to grow if necessary and possible.
Details about the content of the first edition and the pre-order price will be published in due course. I need to collect the articles first and then I can give you an update on everything. Let’s make this happen and please share the slow love! Thank you!
Great! congratulations. look forward to it.
Great news! I’m a Slow Cinema director from Kenya. My PhD thesis is on Slow Cinema as well. Looking forward to reading and contributing to the journal in future.
Hi Emmanuel! That’s great to hear. Would you mind sending me an email? I’d like to speak to you about your thesis. My email is firstname.lastname@example.org
count me in!
great idea, but why not simply publish a virtual journal? browsing will get you the index page and cover, a donation access to that edition, a subscription for a number of issues.
far less expense and time for you….
I think my answer is very short for this one: I’m a sucker for hardcopies 🙂 I love holding something in my hand, and I hate reading on a screen. I could possibly offer the journal both online and as a hardcopy, but I’ll go for the latter first and see how it works out.
I think it will be a great great idea, the classification of slow cinema need a complete theory to “make sure” weather it is a genre or a sub-genre, or it is just a kind of ”artistic expression” of filmmaking. In China, there still lack a specific Chinese traslation of slow cinema, although there are quite a number of filmmakers have produced slow cinema works. I think more people are trying to discuss it or to delimit a new genre. Since the book Slow Cinema （2016, ed. Tiago de Luca and Nuno Barradas Jorge) was published, I was about to hope that slow cinema should earn more concentration. If this plan can be put on the aganda, please do add me in. Best wishes to you!
Two great minds think alike? 😉 I’ll jot down your name and will be in touch for the second issue.
Nice, I’ll have a copy for sure!
Amazing, thanks Vincent!!
I love the way you write about Slow Cinema. I will wait for the first edition of your new Journal.