There is perhaps no better time for beginning to watch Theo Angelopoulos’ Border trilogy than now. On Saturday, we commemorated the 30th anniversary of the fall of the Berlin Wall, the visible, concrete border which…
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It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…
It’s been quiet on The Art(s) of Slow Cinema recently, but things will change very soon. Now that the Slow Film Festival is over, I have more time for writing and viewing films and I…
How does one handle a film, which so strikingly resembles human memory, in particular traumatic memory? The Baltic states have had a tumultuous history, most of which isn’t known in the world, let alone in…
When have you last looked at someone? I mean, really looked at someone, took your time to study every detail. I remember this marvellous shot in Silence in Dreamland by Tito Molina in which one…
I’ve been thinking a lot about how to write something that would do justice to Thomas Heise’s Heimat is a space in time (2019). It speaks to me in so many ways, on so many…
Those of you who have been with me for a couple of years already know that I have been a huge Lav Diaz fan. Melancholia, my first film by Diaz, thoroughly impressed me and when…
Does this conversation have to be so miserable? Tsai Ming-liang asks. His two-hour long conversation with his fetish actor Lee Kang-sheng, Afternoon, will perhaps remain one of the least known of the director’s works. First…
Those of you who have been with me for a while will remember that I used to be very keen on establishing a link between traditional Chinese painting and Slow Cinema. Of course, this approach…
It is possibly the first time that I’m writing about a specific video installation here on this blog. I have read quite a bit during my PhD research in order to understand the uses of…