Eli Hayes (1993-2020)

What I’m going to try here will be difficult. Difficult, because I have never done this before. Difficult, because I still haven’t digested the news. Difficult also because of the circumstances. There is still an…





Earth – Nikolaus Geyrhalter (2019)

Towards the end of the last decade, a new term made its way into public discourse: the anthropocene. Although this isn’t entirely true. The term has been in use for quite some time, but it…


About Endlessness – Roy Andersson (2019)

I’m unsure as to whether I could name a single living director, who speaks to me in a way Roy Andersson does at the moment. His films are absurd, they are morbid at times, funny…


Knife in the Clear Water – Xuebo Wang (2016)

In 2011, Béla Tarr presented his last feature film, The Turin Horse. The film, in which he had stripped everything bare, contains a lot of iconic images. There is the daughter sitting in front of…


A Love Unknown – John Clang (2020)

There are films that you watch. And there are films that you feel. Both forms have been part of my life for quite some time now. Some films go deeper than others, but that doesn’t…


Inland Sea – Kazuhiro Soda (2018)

How can we understand slow films? What do they show, what do they tell us? At some point during my (previously academic) research, I came to the conclusion that every slow film deals with death….