This post wraps up my brief excursion to the far-away lands of China, and my somewhat exotic reading of Slow Cinema. What remains is one last aspect, which I mentioned briefly before: the so-called Three Perfections.
Chinese paintings were more than just paintings. Painting alone wasn't seen as sufficient for what the painter wanted to deliver. The idea was to enhance the painting by adding layers of meaning to it. These layers were poetry and calligraphy, the type of writing the artists used for poetry. If you come across a traditional painting, you will likely see Chinese . . .
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