In recent months and years, I have come across quite a substantial number of strong, independent slow films from China. Of course, Wang Bing remains the most visible for us because he is lucky enough…
Over several years, Wang Bing has built up a library of films about migration. We tend to understand migration as a movement of people. It is, in a broad sense, a movement, a change as…
I’m sipping on a slowly brewed coffee. At my favourite local café. It’s been three months that I haven’t had a chance to do this. When the confinement started (and even before) that I stopped…
Those who have been with me over the years know how much I admire the work of Béla Tarr. It is not only the films that have impressed me, one after the other, allowing me…
Perhaps, there is no better film right at this very moment than Carlos Casas’ Solitude at the end of the world. It’s been ten weeks that I haven’t met people. Ten weeks of confinement at…
It’s been six years that Argentinian director Lisandro Alonso released a film. In 2014, he released Jauja, which, when I saw it, I considered as a break from his previous films. Jauja felt like a…
Towards the end of the last decade, a new term made its way into public discourse: the anthropocene. Although this isn’t entirely true. The term has been in use for quite some time, but it…
I’m unsure as to whether I could name a single living director, who speaks to me in a way Roy Andersson does at the moment. His films are absurd, they are morbid at times, funny…
Ca y est, it’s time! The new issue of The Art(s) of Slow Cinema magazine is finally available! It’s taken longer than I had thought. I had issues with my design software, which no longer…
In 2011, Béla Tarr presented his last feature film, The Turin Horse. The film, in which he had stripped everything bare, contains a lot of iconic images. There is the daughter sitting in front of…