Afterlives. The title of the new English-language book on Akerman’s work, edited by Marion Schmid and Emma Wilson, is poignant, painful even, but perhaps the most fitting for this very collection. It’s been almost four…
I didn’t expect my thinking about the possibility of escaping time. It’s one of those age-old science-fiction dreams that people have. Time travel is perhaps the most imagined, the most commonly imagined form of escaping…
Not so long ago, I picked up Henry David Thoreau’s book Walden. Published in the middle of the 19th century, it is now something of an iconic book about nature, about the woods, about the…
It’s been quite a while since I have reviewed a book. This was primarily down to my not finding the right ones, or my waiting for certain books to be published. Slow Cinema continues to…
Since the Industrial Revolution, children have been massively exploited for work. Even though nation states regulated child labour, there is still a lot of work to do in order to safeguard them. What seems to…
Even after many years writing on Slow Cinema, I still get the same question: where can we see the films you are writing about? It isn’t always easy to respond to that question. Some directors,…
The beauty of Slow Cinema is that directors welcome you to their world and let you explore it in your own way. If you follow one director in particular and have seen all of his/her…
My father’s hand was the city of Beirut. I came to Ziad Kalthoum’s Taste of Cement by accident and it’s one of those accidents that you’re grateful for. Not so long ago, I read a long article on the Guardian about our obsession with…
There is one aspect of my work in the field of Slow Cinema, which I like more than anything else: the opportunity to travel the world via the eyes of filmmakers who listen to marginalised…
Since summer last year, I have slowly but surely made my way through the filmography of Austrian director Nikolaus Geyrhalter, who I have started to perceive as one of the most important filmmakers working today….