Slow Cinema polarises. Even though it is no longer as prominent as when Jonathan Romney published his Sight & Sound article in 2010, the debate on the adequacy of the term ‘Slow Cinema’ prevails. There…
Before I say a single word about Laila Pakalnina’s new film Spoon (2019), I need to thank Elina Reitere and the Latvian Film Institute, who allow me to discover the filmography of Pakalnina. It is…
Could it be that China currently has the single most promising output of contemporary Slow Cinema? I could, of course, be wrong. And yet it feels as though there are more and more slow films…
Another year comes to an end and perhaps you’re as tired of “end of year” lists as I am. Every December (and increasingly every November), cinephiles and film critics rally to create a list of…
Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…
There is perhaps no better time for beginning to watch Theo Angelopoulos’ Border trilogy than now. On Saturday, we commemorated the 30th anniversary of the fall of the Berlin Wall, the visible, concrete border which…
It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…
It’s been quiet on The Art(s) of Slow Cinema recently, but things will change very soon. Now that the Slow Film Festival is over, I have more time for writing and viewing films and I…
How does one handle a film, which so strikingly resembles human memory, in particular traumatic memory? The Baltic states have had a tumultuous history, most of which isn’t known in the world, let alone in…
When have you last looked at someone? I mean, really looked at someone, took your time to study every detail. I remember this marvellous shot in Silence in Dreamland by Tito Molina in which one…