The Art(s) of Slow Cinema Issue 02
Ca y est, it’s time! The new issue of The Art(s) of Slow Cinema magazine is finally available! It’s taken longer than I had thought. I had issues with my design software, which no longer…
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2019 – The Year in Review
Another year comes to an end and perhaps you’re as tired of “end of year” lists as I am. Every December (and increasingly every November), cinephiles and film critics rally to create a list of…
A special slow gift for you
Even after many years writing on Slow Cinema, I still get the same question: where can we see the films you are writing about? It isn’t always easy to respond to that question. Some directors,…
Pre-order The Art(s) of Slow Cinema magazine now!
After months of work, the very first issue of The Art(s) of Slow Cinema magazine is now available for pre-order via tao films. It’s thanks to Daniel Fawcett and Clara Pais that I have finally…
Austerlitz’s time
What is Austerlitz’s time, and where do I get this from? Well, I didn’t expect my wanting to write a blog post about Jacques Austerlitz when I picked up W.G. Sebald’s magnificent book Austerlitz. It’s Sebald’s…
Waiting
What does it mean to wait? What does “waiting” mean nowadays when everyone seems to be always, eternally busy? Are we still waiting, or have we essentially replaced waiting by simply doing stuff? I use…
Talks, talks, talks
As the new Flixwise podcast has just been released, I’d like to draw your attention to spoken rather than written words about Slow Cinema this time. I have had the opportunity to speak to three…
The nocturnal and the slow
Béla Tarr’s The Man from London (2007) impressed me with its images that had been shot at night. The almost complete blackness of the night, seen through the eyes of a watchman in his tower at…
Merry Christmas
It’s been quiet on this blog for a while, but this is mainly a time-issue. I have a new blog post in my head after I read a superb, almost mind-blowing book at the end…
Adam’s Passion, or What is cinema?
I can’t remember anymore in which context I saw the trailer for Adam’s Passion, a performance with music by Estonian composer Arvo Pärt and stage design by American Robert Wilson. The performance was advertised in German…