cinema

About Endlessness – Roy Andersson (2019)

I’m unsure as to whether I could name a single living director, who speaks to me in a way Roy Andersson does at the moment. His films are absurd, they are morbid at times, funny…


Knife in the Clear Water – Xuebo Wang (2016)

In 2011, Béla Tarr presented his last feature film, The Turin Horse. The film, in which he had stripped everything bare, contains a lot of iconic images. There is the daughter sitting in front of…


A Love Unknown – John Clang (2020)

There are films that you watch. And there are films that you feel. Both forms have been part of my life for quite some time now. Some films go deeper than others, but that doesn’t…


Inland Sea – Kazuhiro Soda (2018)

How can we understand slow films? What do they show, what do they tell us? At some point during my (previously academic) research, I came to the conclusion that every slow film deals with death….



Spoon – Laila Pakalnina (2019)

Before I say a single word about Laila Pakalnina’s new film Spoon (2019), I need to thank Elina Reitere and the Latvian Film Institute, who allow me to discover the filmography of Pakalnina. It is…




The Tree – André Gil Mata (2018)

Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…