The Art(s) of Slow Cinema Issue 02
Ca y est, it’s time! The new issue of The Art(s) of Slow Cinema magazine is finally available! It’s taken longer than I had thought....
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Category: Literature
Pre-order The Art(s) of Slow Cinema magazine now!
December 15, 2018
by Nadin Mai
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After months of work, the very first issue of The Art(s) of Slow Cinema magazine is now available for pre-order via tao films. It’s thanks...
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The next step – The Art(s) of Slow Cinema Journal
May 23, 2018
by Nadin Mai
12 Comments
It’s been several years that I dream of publishing my own journal. I was still a student when I began to think about pursuing this...
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Austerlitz’s time
January 11, 2018
by Nadin Mai
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What is Austerlitz’s time, and where do I get this from? Well, I didn’t expect my wanting to write a blog post about Jacques Austerlitz...
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Year 2017 in review
December 27, 2017
by Nadin Mai
3 Comments
I’m not someone who likes lists, all sorts of The best films…, The worst films… etc I never saw a point of social media getting obsessed with...
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The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz
January 19, 2016
by Nadin Mai
3 Comments
Now that the PhD has been awarded, I’m happy to make my thesis, the first coherent study of the films of Lav Diaz, available for...
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The Power of Time
June 17, 2013
by Nadin Mai
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People who prefer slowness in their lives argue that we’re all slaves of the clock. Those who can’t live without the constant rush of adrenaline...
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Part of the landscape
June 9, 2013
by Nadin Mai
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The invention and widespread use of the mechanical clock in the middle of the last millennium has not only changed our understanding of time. It...
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Positioning my research
March 3, 2013
by Nadin Mai
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There are two pieces of writing which I currently use to position my own research. One of them is Angela Dalle Vacche’s Cinema and Painting –...
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Slow Cinema at the Museum!?
February 22, 2013
by Nadin Mai
3 Comments
Slow Cinema is often, wrongly, seen in terms of boredom. For me, this has two reasons. The first one is the term itself. In an...
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