Out of the blue, my partner wondered this morning whether he was becoming slower in his brains. In the same context, he mentioned his viewing of slow films with me. I had some questions about my development, too, and I may have found the answers right there.
Now, before I go into a bit more detail, I have to be fair and say that I have had a few problems processing particularly fast things in the last couple of years. For those who have briefly checked the other blog I had up for a few weeks, PTSD doesn’t allow me to process information fast. The faster they come, the more angry and the more confused I get. Slow Cinema is bliss in this context.
Putting this aside, though, I have wondered lately whether I wasn’t becoming even slower. When I zap into a comedy show on TV, I have some severe problems sometimes to catch the dialogue. This is perhaps not only due to the speed, with which they speak. It is perhaps also in part due to the reluctance of my ears, which have become lazy. My eyes do all the job. Slow Films have little dialogue, the power often lies in the images themselves. Moreover, I have become so used to reading subtitles that my ears don’t really need to do much anymore.
It could be that comedy shows are meant to be slightly faster, in speech at least. For entertainment purposes, and jokes don’t work if they come out slow. But I have started to encounter the same problems in what you would call “normal” films as well as in everyday conversations, though the latter really depends. I can have a normal conversation about the weather, but if you try to steer me to something more complex I need a while to think, and to process what’s actually wanted from me. This hasn’t been the case five years ago. I tend to catch snippets nowadays, and then I try to make sense of the few snippets I have heard.
Rouilly Benoit
I think you focus too much on the slowness of slow cinema. There is more to it. Contemplation is bliss. Zen monks are not complaining about slowing down too much. Fast cutting is for the younger generation, they are used to deal with multiples screens and zapping.
Nadin Mai
Hi Benoit, I think you should read the entire blog. You’ll notice that this is precisely my point – it’s not only about slowness in Slow Cinema. This is a blog post from 2013, not long after I have started my research. There was a development that came with time, and I point out what you say several times after that post.
Rouilly Benoit
Fair enough. I’m sorry if I only discovered your blog recently, after the fact. There is a ton of material to go through.
Nadin Mai
Haha Yes, five years of hard work! 🙂 Going into my 6th year of blogging now. Happy to see that you’re back on track too!