This post will be no more than a few possibly unrelated thoughts on Ceylan's new film and its connection to slowness. Winter Sleep is so rich that I have serious doubts about the critiques that have surfaced by critics who watch several films a day and have deadlines to meet. I remember Jonathan Romney saying in Newcastle in March 2012 that this was exceptionally difficult when it came to certain films, such as those of Béla Tarr or Lav Diaz. Ceylan's film is no different, and even though I'm fully aware that critiques . . .