Chantal Akerman's D'est is a great example of Slow Cinema, and for those who do not feel prepared to start with eight hours Lav Diaz, then this may be a film for you. The film is engrossing, but minimalist. It is slow, yet full of movement. It is, in some ways, a contradictory piece, as you can imagine. This is precisely what made me think of Béla Tarr when I watched it, but more of that in a little while.

D'est is set somewhere in the former Eastern bloc. Unless you read . . .

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