The following was written for a project filmmaker Saeed Taji Farouky, who dreamt of putting together a magazine he would call MEAT and which would bring together contributions on the concept of the flesh, on touching, on intimacy, everything that we lost during the pandemic, specifically during the lockdowns. It was a wonderful project to work on, the magazine looks stunning (limited to 100 copies only). What you see below is a collaboration (the first one!) between myself and my husband Jérémy, who illustrated the piece with handdrawn images from slow films. I . . .