time

About Endlessness – Roy Andersson (2019)

I’m unsure as to whether I could name a single living director, who speaks to me in a way Roy Andersson does at the moment. His films are absurd, they are morbid at times, funny…


A Love Unknown – John Clang (2020)

There are films that you watch. And there are films that you feel. Both forms have been part of my life for quite some time now. Some films go deeper than others, but that doesn’t…


Inland Sea – Kazuhiro Soda (2018)

How can we understand slow films? What do they show, what do they tell us? At some point during my (previously academic) research, I came to the conclusion that every slow film deals with death….



Spoon – Laila Pakalnina (2019)

Before I say a single word about Laila Pakalnina’s new film Spoon (2019), I need to thank Elina Reitere and the Latvian Film Institute, who allow me to discover the filmography of Pakalnina. It is…


The Tree – André Gil Mata (2018)

Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…



Vitalina Varela – Pedro Costa (2019)

It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…



Season of the Devil – Lav Diaz (2018)

Those of you who have been with me for a couple of years already know that I have been a huge Lav Diaz fan. Melancholia, my first film by Diaz, thoroughly impressed me and when…