Does this conversation have to be so miserable? Tsai Ming-liang asks. His two-hour long conversation with his fetish actor Lee Kang-sheng, Afternoon, will perhaps remain one of the least known of the director’s works. First…
In the last fortnight or so, I have read two books by Chantal Akerman. One of them, Autoportrait en cinéaste, is, in fact, a sort of exhibition catalogue, published at the occasion of a retrospective dedicated…
I would like to use the time to explain a little more about the VoD platform. Things have developed quite a bit since I posted the original project description online. I also think that a…
I read a rather irritating article about Lav Diaz’s Norte, written by Adrian Martin for the Sight & Sound magazine. His reading of the film is good, but the last paragraph of the article makes…
My thanks goes out to Yulene Olaizola, who has kindly agreed to this brief email interview. Her film Fogo (2012) is a fascinating portrait of a fading landscape and its people. Especially her accounts on…
In 2010, filmmaker Michela Occhipinti made the brilliant and yet subtle slow film Letters from the Desert – Eulogy to Slowness. I have reviewed the film in an earlier post. I have contacted her to conduct…
Before I go ahead with more blog posts on the relation of Slow Cinema and Chinese painting, here’s a brief email interview with director Zhengfan Yang, director of Distant. I have posted a comment on the…
It came as a shock to cinephiles in 2011 when Hungarian director Béla Tarr announced that The Turin Horse would be his last film. I was fortunate to be at the Q&A session the Edinburgh…