filmmaking

Afternoon – Tsai Ming-liang (2016)

Does this conversation have to be so miserable? Tsai Ming-liang asks. His two-hour long conversation with his fetish actor Lee Kang-sheng, Afternoon, will perhaps remain one of the least known of the director’s works. First…




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In defense of a lack of craft

I read a rather irritating article about Lav Diaz’s Norte, written by Adrian Martin for the Sight & Sound magazine. His reading of the film is good, but the last paragraph of the article makes…


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Interview with Yulene Olaizola (Fogo)

My thanks goes out to Yulene Olaizola, who has kindly agreed to this brief email interview. Her film Fogo (2012) is a fascinating portrait of a fading landscape and its people. Especially her accounts on…


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Interview with Michela Occhipinti

In 2010, filmmaker Michela Occhipinti made the brilliant and yet subtle slow film Letters from the Desert – Eulogy to Slowness. I have reviewed the film in an earlier post. I have contacted her to conduct…


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Interview with Zhengfan Yang (Distant)

Before I go ahead with more blog posts on the relation of Slow Cinema and Chinese painting, here’s a brief email interview with director Zhengfan Yang, director of Distant. I have posted a comment on the…


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Slow Retirements

It came as a shock to cinephiles in 2011 when Hungarian director Béla Tarr announced that The Turin Horse would be his last film. I was fortunate to be at the Q&A session the Edinburgh…