The Art(s) of Slow Cinema

The Tree – André Gil Mata (2018)

Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…



Vitalina Varela – Pedro Costa (2019)

It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…


Slow Film Festival 2019

It’s been quiet on The Art(s) of Slow Cinema recently, but things will change very soon. Now that the Slow Film Festival is over, I have more time for writing and viewing films and I…


Ausma – Laila Pakalnina (2015)

How does one handle a film, which so strikingly resembles human memory, in particular traumatic memory? The Baltic states have had a tumultuous history, most of which isn’t known in the world, let alone in…


Your Face – Tsai Ming-liang (2018)

When have you last looked at someone? I mean, really looked at someone, took your time to study every detail. I remember this marvellous shot in Silence in Dreamland by Tito Molina in which one…



Season of the Devil – Lav Diaz (2018)

Those of you who have been with me for a couple of years already know that I have been a huge Lav Diaz fan. Melancholia, my first film by Diaz, thoroughly impressed me and when…


Afternoon – Tsai Ming-liang (2016)

Does this conversation have to be so miserable? Tsai Ming-liang asks. His two-hour long conversation with his fetish actor Lee Kang-sheng, Afternoon, will perhaps remain one of the least known of the director’s works. First…


Time in Japanese art and society

Those of you who have been with me for a while will remember that I used to be very keen on establishing a link between traditional Chinese painting and Slow Cinema. Of course, this approach…