The initial wave of I-want-to-be-the-first has subsided, and after quite a few not very good books on Slow Cinema or on slow-film directors, we're slowly (of course, slowly) getting to a point where it is worth opening books on the subject because they have been researched properly. Or because the authors have taken the time to experience the films without trying to squeeze them into theories and statistics. This has been done already, primarily by register and become a member of The Arts of (Slow) Cinema or login to continue reading. Your contribution supports independent film criticism. Thank you!