A bare room. The walls are seemingly made of cold stone. The lighting is low, the darkness overpowers the image, which director Kevin Pontuti has created at the beginning of his new short film Vanità (2017). The image itself could be mistaken for a medieval still life, a painting that represents the dark ages that have left their indelible marks on our present lives. Pontuti, a visual artist first and foremost, uses his skill to merge the art of film with the specifics of a still life painting in this film in order to strengthen the concepts . . .
Please register and become a member of The Arts of (Slow) Cinema or login to continue reading. Your contribution supports independent film criticism. Thank you!