What follows are bits and pieces from an article I drafted six years ago about the Andrei Tarkovsky's Zerkalo and Daniel Frampton's filmind. At the time, I approached several scholars with some thoughts on the issue and have been met with hostility. Scholars were not open to it, found it ridiculous even or plainly told me that everything that needs to be said about Tarkosvky has been said. The result was that the draft I'm copying from for this blog post ended up in a cardboard box never to be touched . . .