Films

Afternoon – Tsai Ming-liang (2016)

Does this conversation have to be so miserable? Tsai Ming-liang asks. His two-hour long conversation with his fetish actor Lee Kang-sheng, Afternoon, will perhaps remain one of the least known of the director’s works. First…


Memory of Time – HeeWon Lee (Rennes, 2019)

It is possibly the first time that I’m writing about a specific video installation here on this blog. I have read quite a bit during my PhD research in order to understand the uses of…


Walden – Daniel Zimmermann (2018)

Not so long ago, I picked up Henry David Thoreau’s book Walden. Published in the middle of the 19th century, it is now something of an iconic book about nature, about the woods, about the…



Closing Time – Nicole Vögele (2018)

The beauty of Slow Cinema is that directors welcome you to their world and let you explore it in your own way. If you follow one director in particular and have seen all of his/her…


Taste of Cement – Ziad Kalthoum (2017)

My father’s hand was the city of Beirut. I came to Ziad Kalthoum’s Taste of Cement by accident and it’s one of those accidents that you’re grateful for. Not so long ago, I read a long article on the Guardian about our obsession with…


Century of Smoke – Nicolas Graux (2019)

There is one aspect of my work in the field of Slow Cinema, which I like more than anything else: the opportunity to travel the world via the eyes of filmmakers who listen to marginalised…


The year after Dayton – Nikolaus Geyrhalter (1997)

Since summer last year, I have slowly but surely made my way through the filmography of Austrian director Nikolaus Geyrhalter, who I have started to perceive as one of the most important filmmakers working today….


Til madness do us part – Wang Bing (2013)

It was difficult to find time for writing another review. I have been asked to write an essay on Wang Bing for Thessaloniki International Film Festival, which programmed an artist focus on the Chinese director….


A Yangtze Landscape – Xu Xin (2017)

There are films, which I’m grateful for. Grateful for being able to watch them, grateful for being able to write about them. Grateful for being able to experience them. There are those films that go…