tao films
Thanks to very generous funding from some people, I was able to register in France the name I had in mind for the VoD service and the DVD releases. tao films will be the new…
Misc
Call for Films!
The Art(s) of Slow Cinema is looking for slow, contemplative films for its forthcoming video-on-demand platform! The Art(s) of Slow Cinema VoD platform is an extension of the website of the same name. It seeks…
Slow Cinema on VoD
For the last couple of weeks, I’ve been toying with the idea of setting up a VoD platform entirely dedicated to slow films, which are not available on DVD and whose festival presence is limited….
Slow Cinema, trauma and therapy
I set up this blog in the autumn of 2012, at the start of my doctoral research. It’s funny just how much the original subject has changed in those three years. I planned to write…
Lav Diaz Retrospective in Manila
This is the first part of hopefully many that will accompany my journey through the organisation of a major retrospective of Lav Diaz’s works in his native country. While museums and galleries outside the Philippines commit…
Merry Xmas
I wish you all a Merry Xmas and a joyful period of festive days. Remember to take everything slow. Use the festive days for some well-deserved downtime. You can watch a slow film, for instance….
Book on Lav Diaz – A self-publication model?
Now that my time as a PhD student comes slowly, but at the sometime speedily to an end, I need and want to think about publishing my material. This blog has been of tremendous help…
Slow Art Cinema
This is a brief post to say that an article by me was published on the Slow Art Day blog. Some of you may remember the short article “A cinematic approach to Slow Art with…
The Art(s) of Slow Cinema in Locarno
A brief post to say that I will be traveling to this year’s Locarno Film Festival. The line-up looks great, and I’m hoping to catch the new Nicolas Pereda film, Los Ausentes, and the latest…
In defense of a lack of craft
I read a rather irritating article about Lav Diaz’s Norte, written by Adrian Martin for the Sight & Sound magazine. His reading of the film is good, but the last paragraph of the article makes…