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The Tree – André Gil Mata (2018)

Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…



Vitalina Varela – Pedro Costa (2019)

It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…


Season of the Devil – Lav Diaz (2018)

Those of you who have been with me for a couple of years already know that I have been a huge Lav Diaz fan. Melancholia, my first film by Diaz, thoroughly impressed me and when…


Time in Japanese art and society

Those of you who have been with me for a while will remember that I used to be very keen on establishing a link between traditional Chinese painting and Slow Cinema. Of course, this approach…



Escaping time

I didn’t expect my thinking about the possibility of escaping time. It’s one of those age-old science-fiction dreams that people have. Time travel is perhaps the most imagined, the most commonly imagined form of escaping…


Walden – Daniel Zimmermann (2018)

Not so long ago, I picked up Henry David Thoreau’s book Walden. Published in the middle of the 19th century, it is now something of an iconic book about nature, about the woods, about the…


A special slow gift for you

Even after many years writing on Slow Cinema, I still get the same question: where can we see the films you are writing about? It isn’t always easy to respond to that question. Some directors,…


Closing Time – Nicole Vögele (2018)

The beauty of Slow Cinema is that directors welcome you to their world and let you explore it in your own way. If you follow one director in particular and have seen all of his/her…