duration


A slow return

I’m sipping on a slowly brewed coffee. At my favourite local café. It’s been three months that I haven’t had a chance to do this. When the confinement started (and even before) that I stopped…



Earth – Nikolaus Geyrhalter (2019)

Towards the end of the last decade, a new term made its way into public discourse: the anthropocene. Although this isn’t entirely true. The term has been in use for quite some time, but it…


About Endlessness – Roy Andersson (2019)

I’m unsure as to whether I could name a single living director, who speaks to me in a way Roy Andersson does at the moment. His films are absurd, they are morbid at times, funny…


The Tree – André Gil Mata (2018)

Tarkovskian. Tarr-esque. Filmind. André Gil Mata’s The Tree had me thinking a lot, had me admire what I saw and had me marvel over the future of Slow Cinema. Mata is part of a growing…



Vitalina Varela – Pedro Costa (2019)

It is difficult, if not impossible, to think of a woman in film, who has such a magical, such an overpowering aura around her as does Pedro Costa’s Vitalina Varela. The minute she appears, stepping…


Season of the Devil – Lav Diaz (2018)

Those of you who have been with me for a couple of years already know that I have been a huge Lav Diaz fan. Melancholia, my first film by Diaz, thoroughly impressed me and when…


Time in Japanese art and society

Those of you who have been with me for a while will remember that I used to be very keen on establishing a link between traditional Chinese painting and Slow Cinema. Of course, this approach…