Afterlives. The title of the new English-language book on Akerman’s work, edited by Marion Schmid and Emma Wilson, is poignant, painful even, but perhaps the most fitting for this very collection. It’s been almost four…
It’s been quite a while since I have reviewed a book. This was primarily down to my not finding the right ones, or my waiting for certain books to be published. Slow Cinema continues to…
More often than not, book flea markets are the best way to find gems that you might not find in book shops (anymore). Very old books from the 19th century, old film magazines, discontinued books…
I took a literary journey through the works of Chantal Akerman thanks to two new books that have been published on her work. Not so long ago, I wrote about Chantal Akerman, Passer la nuit by…
After a rather long break from writing due to health reasons, I’m trying to embark on finally writing something about that book I bought last year, which intrigued me with its title. My avid readers…
What is Austerlitz’s time, and where do I get this from? Well, I didn’t expect my wanting to write a blog post about Jacques Austerlitz when I picked up W.G. Sebald’s magnificent book Austerlitz. It’s Sebald’s…
I’m not someone who likes lists, all sorts of The best films…, The worst films… etc I never saw a point of social media getting obsessed with someone’s subjective opinion, with someone they have never even met…
A small book at the bottom of a shelf that is overwhelmed with books on the big names of Hollywood; films, directors, actresses. There, somewhere in between those oversized books, I found the new book…
Something that has always fascinated me is film spectatorship in regards to Slow Cinema. While film spectatorship as a subject isn’t entirely absent from research, it is not as big a subject as it deserves….
Béla Tarr’s The Man from London (2007) impressed me with its images that had been shot at night. The almost complete blackness of the night, seen through the eyes of a watchman in his tower at…