The beauty of Slow Cinema is that directors welcome you to their world and let you explore it in your own way. If you follow one director in particular and have seen all of his/her films, then each new film feels like coming home. I hadn't realised to what extent this seemed to be true until I saw Nicole Vögele's superb Closing Time, set in Taiwan, in an environment that feels so familiar after several films by Tsai Ming-liang. It is like sitting on that nice, comfy sofa that Tsai Ming . . .
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