landscape


Postcards from the Verge – Sebastian Mez (2017)

My, my, my…another strong arthouse film this year. And another one which is too good to be written about, if I’m honest. There are films which cannot be described in words. Sebastian Mez’s Postcards from the Verge…


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Slow Cinema, trauma and therapy

I set up this blog in the autumn of 2012, at the start of my doctoral research. It’s funny just how much the original subject has changed in those three years. I planned to write…


Sixty Spanish Cigarettes – Mark John Ostrowski (2015)

There is something sublimely beautiful about Mark John Ostrowski’s film Sixty Spanish Cigarettes (2015). Fifteen minutes into the film, an extreme long shot captures the sea and coast in the background. From the right hand…


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Costa da Morte – Lois Patino (2013)

The film starts with a beautiful shot of fog hanging over a couple of slim high trees about to be felled. In an extreme long shot, we see first one man, then three men deciding…


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Interview with Michela Occhipinti

In 2010, filmmaker Michela Occhipinti made the brilliant and yet subtle slow film Letters from the Desert – Eulogy to Slowness. I have reviewed the film in an earlier post. I have contacted her to conduct…


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Day 24 – Surprise (me)

I finish this year’s advent calendar with a self-experiment in slow-filmmaking. It’s one thing to watch slow films all the time. But as I was to find out, it’s an entirely different matter to sit…


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Day 18 – Inori (Gonzales-Rubio)

If my memory doesn’t trick me, then this is a premier for me: a slow film set in Japan. Not really made by a Japanese filmmaker, but this matters little. I was, in fact, surprised…


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Day 16 – El cant dels ocells (Serra)

Time to return to Europe, and yet another classic. A contemporary classic, though. Spanish director Albert Serra is one of the regulars in Slow Cinema. Especially El cant dels ocells (2008) is often quoted, mainly because it contains…


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Day 15 – Eternity (Kongsakul)

I was a very lucky person with this film (here’s a big thank you to Immanuel!). I’m not familiar with Thai cinema, apart from Apichatpong’s films, which, I more and more believe, are not really…