It has something bizarre to it. Seeing a film by Bi Gan, which defies any temporal and spatial orientation in the middle of a disorienting world situation, is both fascinating and scary. I was hoping that a night's sleep would allow me to process the film, but this is not what happened. On the contrary. I feel even more like floating, even more lost, even more as if wrapped in a satin cloth that gives me warmth and comfort, but which, at the same time, doesn't let me go.
What are time and . . .
Please register and become a member of The Arts of (Slow) Cinema or login to continue reading. I will not sell your data, I just want to protect my writing from the all-devouring AI bots.