China


Til madness do us part – Wang Bing (2013)

It was difficult to find time for writing another review. I have been asked to write an essay on Wang Bing for Thessaloniki International Film Festival, which programmed an artist focus on the Chinese director….


A Yangtze Landscape – Xu Xin (2017)

There are films, which I’m grateful for. Grateful for being able to watch them, grateful for being able to write about them. Grateful for being able to experience them. There are those films that go…


Kaili Blues – Bi Gan (2015)

It is impossible to retain a past thought, to seize a future thought, and even to hold onto a present thought. There couldn’t be a better beginning to a film than this extract of the…


Dead Souls – Wang Bing (2018)

It seems as though Chinese director Wang Bing gets better and better. Each film improves on the previous one, and with this I don’t mean that he improves on his aesthetics. Wang Bing stoically, stubbornly…


The Dog – Lam Can-zhao (2015)

There are films that one struggles to forget. They stay with you either because they are terrible, or simply really good. Others stay with you because they’re affective in their simplicity, and really touch your…


Man With No Name – Wang Bing (2010)

Anonymity and intimacy – these two characteristics work hand in hand in Wang Bing’s Man With No Name (2010), which is a mere glimpse of the life of a hermit, given the director’s otherwise very extensive…


Three Sisters – Wang Bing (2012)

I become more and more a fan of Wang Bing. I’m  making my way through his filmography in a random order, which is a shame, because I believe that you can actually see China’s economical…


Oxhide II – Liu Jiayin (2009)

Hooray! It took me almost to the day four years before I watched the sequel of Liu Jiayin’s fascinating Oxhide (2005), which struck me primarily because of its use of a tight framing and the director’s…


Nothing

Certainly, I could leave this blog post blank and let you do the thinking. This is what “nothing” is there for; it allows you to fill in the gaps that others have left, deliberately or…